Veille hebdomadaire de l'actualité musicale et du spectacle La veille a réuni plusieurs sujets cette semaine dont: | Communications du secteur culturel | Le ministre Rodriguez conviera les secteurs des arts, de la culture et du patrimoine à un sommet national sur leur relance au début de 2022 Ce sommet sera une occasion unique de créer des liens entre les secteurs et au sein de ceux-ci. Il nous permettra de nous concentrer sur la relance collective post-COVID et sur la compétitivité de ces secteurs. Je pourrai partager mes priorités avec vous, et écouter les vôtres. Lire la nouvelle de Patrimoine canadien | | Pratiques industrielles et artistiques | Looking forward and back: Why song interpolations reflect a new music industry outlook If many popular songs from the past year sound familiar, it might be because they are. Song interpolations – when artists copy another song’s underlying melody, often with modified lyrics – are increasingly common, as many of today’s biggest artists spin older hits into new ones. Lire sur MIDiA Research | | Inside the campaign to fix music’s streaming problem The gaping disparities between musicians and labels made headlines last month, with the total amount of money made by every single UK songwriter in 2019 — some £150m, according to the Intellectual Property Office — being less than the chairman and CEO of Universal Music Group, Sir Lucian Grainge, is set to make in 2021. Lire sur The Evening Standard | | À lire aussi - Universal to develop ‘virtual identities’ and NFTs for its artists in partnership with avatar tech firm Genies | Music Business Worldwide
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The Los Angeles Times - The U.S., Iran, China and North Korea are the only countries where artists aren’t paid for airplay | Hypebot
- Are Sync Licensing Rights Fit For Purpose? | Synchtank
- Musicians fail to claim millions of dollars in residual income, says FMSM | Hypebot
- Music Royalty Scam Allegedly Stole $20MM In Artist, Indie-Label Royalties | Digital Music News
- Spotify, Wrapped - How the streaming platform makes, and spends, its money | Chartr: Data Storytelling
- TikTok algorithm wants you to stick around and come back, leak reveals | The Verge
- YouTube reveals millions of videos get hit with incorrect copyright claims | The Verge
| Consommation médiatique et de biens culturels | Love it or hate it, TikTok is changing the music industry Virality on TikTok is powerful yet unpredictable. Some of 2021’s biggest global hits gained little traction when they were initially released to small audiences. Africa’s most successful pop song ever, CKay’s Love, Nwantiti, was released in 2019, but shot to fame only in 2021 and has now been used in more than 7 million TikTok videos. Lire sur The Conversation | | How streaming adds to the lucrative appeal of Christmas songs Figures from Spotify in 2016 showed that countries in the northern hemisphere stream more of the 1,500 Christmas songs on its playlists – including during the festive season – than those living in the southern hemisphere. Lire sur The Music Network | | All Sound Recordings Prior to 1923 Will Enter the US Public Domain in 2022 According to the Music Modernization Act ("MMA"), passed by US Congress in 2018, all sound recordings prior to 1923 will have their copyrights expire in the US on January 1, 2022 — a huge and enriching addition to the public domain. Lire sur The Public Domain Review | | Bâtir et promouvoir une souveraineté numérique nationale et européenne Le sujet est d’autant plus important qu’il s’inscrit dans un contexte plus global, où la puissance publique se verrait « progressivement dépossédée de ses prérogatives les plus essentielles, comme le fait de battre monnaie, d’être capable de soumettre à l’impôt les activités économiques, ou encore de réguler les contenus pour préserver la société des propos haineux et de la violence ». Lire sur la Revue européenne des médias et du numérique | | Live Nation buys 51% stake in OCESA, the world’s third biggest concert promoter, for $416m Live Nation has finally closed the acquisition of a 51% stake in Mexico-headquartered OCESA Entretenimiento. Lire sur Music Business Worldwide | | Music market shares: independent labels and artists are even bigger than you thought At the start of this year MIDiA fielded a large-scale, global survey of independent labels, collecting billions of dollars’ worth of revenue figures. We think that it is the most comprehensive survey of the independent sector done yet. In the survey, we asked labels about a range of factors, which enabled us to paint a complete picture of the state of the independent sector in today’s music business. Lire sur MIDiA Research | | TikTok lance Creator Next pour mettre l'accent sur la monétisation La monétisation semble désormais être au cœur de la stratégie de TikTok. La réseau social détenu par ByteDance vient d'annoncer le lancement d'une nouvelle plateforme baptisée Creator Next, pour aider les créateurs à gagner de l'argent Lire sur le Siècle Digital | | Spotify 2021 Wrapped: Launch, crash, technical elitism, and no solution for disappointed users After weeks of anticipatory promotion, Spotify unleashed its annual “Wrapped” feature yesterday. Unfortunately, the package is available only in the mobile app, and the video presentation requires memory and operating system resources that are unavailable on some phones. The result is a wave of social media complaints that the Wrapped experience crashes quickly, and closes the Spotify app. Lire sur RAIN News | | À lire aussi - YouTube Music rolls out 2021 Recap feature to rival Spotify Wrapped | CNET
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