Liz Young
Weâre delighted to shine the light on Liz Young, one of Vancouverâs most prodigious modern quilters. Not only is she good with fabric, as the VMQG treasurer, sheâs also good with financials. You can see more of Lizâs work on Instagram at @foreveryoungquilting.
When did you join the VMQG?
I joined the VMQG in 2021. I had taken a lengthy break from quilting (10+ years) and had started quilting again in January 2020. I had transitioned from traditional to modern quilting and was looking for a community to become involved with.
What do you like about being a member?
There is a lot to like about being a VMQG member. There is the comradery of getting together with a like-minded group of individuals; sharing friendship and knowledge. There is, of course, the accessibility to workshops and speakers. I enjoyed being part of the Showcase Committee in 2022. I currently volunteer as Treasurer on the guildâs Executive, and also volunteer with other guild members in the Art Therapy program at Covenant House Vancouver.
When did you start quilting? What was your inspiration?
I started sewing when I was quite young, but it was when my daughter was born (1987) that I learned to quilt. I wanted to make a quilt for her bed when she moved out of her crib so took a âSamplerâ quilting class at The Thread Bear in West Vancouver. After a few years of taking classes, I started teaching classes. I taught for a number of years at The Thread Bear, The Cloth Shop and Bear Paw Quilting.
Tell us about your creative journey, and life outside your sewing room
In 2005 with both my children in school, I enrolled in the Textile Arts Program at Capilano University. I spent four years immersing myself in all things textileâŚweaving, dyeing, surface design, colour theory, design theory, art history, and so much more. It was wonderful and it was exhausting! Creating on demand drained me. When I graduated in 2009, I gave up anything and everything related to textiles. I didnât step foot in my studio, eventually giving away all but my favourite tools. In January 2020 I went to my first quilt retreat since 2005. That was it, I was hooked again.
Although some may think I spend the majority of my time quilting, in actual fact, I am very physically active. I work out weekly at Innovative Fitness, I love urban hiking, and I am a cyclist belonging to two different cycling groups. My husband and I have cycled extensively in Italy, France, Germany, Majorca, the USA and most recently in PEI.
What is your favourite type of quilt to make or design?
I am very much a modern quilter. I work exclusively in solid fabrics. Several years ago I challenged myself to overcome my fear of sewing curves, embarking on a 100 day challenge which turned into a full year challenge, resulting in several circle motif quilts. I now design all of my own quilts and most involve curves in their design. I am a huge fan of the Bauhaus School of Design and of Sonia Delauneyâs work, and their influence is evident is my designs. I favour crisp, clean, precise lines within a bold geometric design. I am at heart a perfectionist, struggling to reform, to believe that âgood enoughâ is in fact acceptable. Its an on-going battle.
What lessons have you learned about quilting?
On a very basic level, I have learned that cutting precisely, sewing an accurate Âź inch seam, and pressing your work as you goâŚin my case, seams always openâŚhas a direct impact on the final product.
On a deeper level, I have learned that there are so many phenomenal quilters in the quilting world, many of whom showcase their work on Instagram. Their designs are amazing, their use of colour is stunning and their skills are enviable. Let their work inspire and motivate you. Do not let it make you feel âless thanâ. We are all on our own journey. Whether you sew someone elseâs patterns, your own designs, or a combination of both, take pleasure and find joy in what you are doing. Do what makes you happy! Do you! Comparison is the thief of joy!
What am I working on next?
I have a few things on the go at the moment. I have three designs finished and waiting for me to get to work on. But before I can start on the actual project, I need to experiment with construction techniques. As my designs become more complicated, so does how they go together.
I just designed and submitted a block in response to CQAâs call for submissions for their 2025 QAL. If accepted I will be working on drafting the pattern prior to the QAL starting in the new year.
Thanks for stepping into the spotlight Liz!